Evénements du 1er novembre 2018

  • La musique des gestes

    29.10.2018  >  02.11.2018

    • Cours, Stages et Ateliers

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    Les sons sont partout, il suffit de les attraper avec les bons mouvements. Ils se transforment alors et nous révèlent des histoires et des rythmes inattendus... A nous de jouer !
    Lieu
    Manoir
    Rue des Deux Maisons, 31
    1140 Evere

  • Commedia dell’arte

    29.10.2018  >  02.11.2018

    • Cours, Stages et Ateliers

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    Par le jeu du masque, nous nous initierons au théâtre de la Commedia dell’arte. Nous apprendrons à marcher, à parler et à bouger comme ses illustres représentants : Arlequin, Pantalone, le capitaine, le docteur...
    Lieu
    Manoir
    Rue des Deux Maisons, 31
    1140 Evere

  • Danser et s’amuser !

    29.10.2018  >  02.11.2018

    • Cours, Stages et Ateliers

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    Tourner, rouler, glisser, sauter... Nous explorerons l’imaginaire et les émotions par le mouvement. A travers différents jeux, nous serons invités à faire varier le temps, l’espace et la mise en position.
    Lieu
    L'Entrela' - Centre Culturel d'Evere
    Rue de Paris, 43
    1140 Evere
    Tél : 02-241.15.83
    info@lentrela.be
    http://www.lentrela.be/

  • Eunkyung Jeong Self Life Drawing

    30.10.2018  >  02.11.2018

    • Exposition

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    Since Jeong left her hometown in South Korea, she became aware of herself as a symptom of something. She thinks of herself as a symptom of Korean society, especially in relation to the androcentric family and the social system based on the Confucian traditions in which she grew up. A reflection on identity and autobiography, SELF LIFE DRAWING deals with stereotyped images of women in Korean Confucianism and their constraints Jeong tries to liberate herself from. In this video installation, the stories of her name, her mother and the repetitive stone drawings are composed as a way of addressing the symptomatic self and wishes. Eunkyung Jeong is a South Korean visual artist, writer and scenographer based in Brussels. Her principal interests are conceptual drawing and writing practices, using literary strategies and time-based media installations.   — by Eunkyung Jeong, music Jaha Koo
    Lieu
    Beursschouwburg
    Rue Auguste Orts, 20 28
    1000 Bruxelles
    Tél : 02-550.03.50
    info@beursschouwburg.be
    http://www.beursschouwburg.be

  • Caveat Publishing and performing relationships

    30.10.2018  >  03.11.2018

    • Conférences et congrès

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    Why would artists contractualize relationships? How to engage into working conditions as an artist? How to survive as an artist? These questions will develop in a back and forth movement from publishing to performance and the other way around. Indeed, the artists invited by Caveat approach publishing as a means to make things public, as a medium for emancipation and coalition, as a tool for thinking, and as a (third) sculpture. 30/10 - 03/11/2018, 17:30h unless noted otherwise Beursschouwburg, Brussels With: Eva Barto, Sofia Caesar, Loraine Furter & Laurie Charles, Ben Kinmont, franck leibovici, Eric Schrijver, Open Source Publishing The practices of the invited artists testify both for an intense research in and a sharp awareness of the conditions and context in which their work come into life, are exhibited, circulated, and archived. Furthermore, they engage actively and critically in sharing, coming together, disseminating these issues not only amongst their peers but also towards a wider audience. Because, as Ben Kinmont put it once, "There is also a need outside of here." Caveat is a collective research project reflecting and acting on the ecology of artistic practice. Convened in 2017 by the Brussels-based artists’ initiative Jubilee, the project title alludes to the legal principle caveat emptor (buyer beware), signaling the research's ambition to raise awareness and co-create alternatives.   https://caveat.be/ info@caveat.be   PROGRAMME   TUESDAY 30 OCTOBER Ben Kinmont, 'Promises and Precarity: Steps in an Alternative Artistic Practice' 14:30 - 16h: Book presentation, reading and discussion of a compiled reprint, created for this occasion, of Promised Relations: or, thoughts concerning a few artists’ contracts (1996), Materialization of Life into alternative economies (1996), and Project Series: Archive Contracts (2005) by Ben Kinmont. This reprint will be available for free during Bâtard Festival. 17:30h: artist talk, followed by a Q & A   WEDNESDAY 31 OCTOBER franck leibovici, '(some forms of life) – an ecology of artistic practices' 17:30h: book presentation and artist talk, followed by a Q & A   THURSDAY 1 NOVEMBER Open Source Publishing 11h - 17:30h: workshop Open Source Publishing has written a collaboration agreement to work with others. Within Caveat, OSP is rewriting this document and proposing a visual translation. During the Bâtard festival, OSP invites artists and designers to contribute a description and interpretation of their own contract or conditions as to develop a language of practices. Eva Barto, 'On Buttonwood Press and other deals' 17:30h: book presentation and artist talk, followed by a Q & A   FRIDAY 2 NOVEMBER Eric Schrijver, Copy This Book: an artist's guide to copyright (Onomatopee, 2018) 17:30h: book launch, performance, roundtable with law scholar Julien Cabay and artist Eleanor Ivory Weber, and publisher/curator Freek Lomme (Onomatopee). Moderator: Julie Van Elslande   The conversations at Beursschouwburg will take place in a display module conceived by graphic designer and researcher Loraine Furter & artist Laurie Charles. The display is part of Speaking Volumes, a hybrid research project about feminist publishing practices, between art and activism — a blind spot in the history of artists’ books. The research takes different forms, from graphic documents to performative events, and materializes on a display inspired by Alison Knowles' artwork The Big Book, a giant structure with oversized pages she built in 1966.     SATURDAY 3 NOVEMBER Sofia Caesar, 'Zero Hour' 17:30h: performance and artist talk. Presentation by jurist Sarah de Groof followed by a Q & A DJ set by Eric Schrijver at Decoratelier   The conversations at Beursschouwburg will take place in a display module conceived by graphic designer and researcher Loraine Furter. The Zero Hour relational object of Sofia Caesar will be installed on the stage for the whole duration of the festival.   ----------------------   Ben Kinmont (born 1963 in Burlington, Vermont) is an artist, publisher, and antiquarian bookseller living in Sebastopol, California. His work is concerned with the value structures surrounding an art practice and what happens when that practice is displaced into a non-art space. www.benkinmont.com www.antinomianpress.org www.kinmont.com   franck leibovici (born 1975, lives and works in Paris) is a poet and artist. he's currently working with julien seroussi on the making of the international criminal court (the hague, the netherlands) through a series of exhibitions, publications and conferences, untitled "law intensity conflicts". www.desformesdevie.org/en http://laviedesidees.fr/Sur-quoi-opere-l-art.html   Eva Barto graduated from the School of Fine Arts (Paris, 2013) and attended the post-graduate program at Ensba (Lyon, 2014). Recent solo shows include La BF15 (Lyon, 2015), Primo Piano (Paris, 2015), gb agency (Paris, 2016), Villa Arson (Nice, 2016) and soon Kunstverein Freiburg (April 2019). Her work have been presented at Centre Pompidou (Paris, 2016), Biennale de Rennes (2016), Kadist (Paris, 2016), Van Gelder (Amsterdam, 2016), Marcelle Alix (Paris, 2015), Fondation d’Entreprise Ricard (Paris, 2017) Wattis Art Center (San Francisco, 2017) and Secession (Vienna, 2018). In 2016 she initiated the publishing project Buttonwood.Press. www.evabarto.net   Eric Schrijver is a Dutch interaction designer, artist and author, born in Amsterdam in 1984. With performances and publishing projects in new and digital media, he uses the internet as a performative space. Eric directs a group blog called I like tight pants and mathematics, that aims to motivate designers and artists to get more involved in the world of computer programmers. From 2011 to 2017 Eric was a core member of the graphic design collective Open Source Publishing. A former faculty member at KABK (NL) and ERG (BE), he has taught workshops around the world. http://ericschrijver.nl   Sofia Caesar (1989, Brazil) makes videos, performances, sculptures, and installations. The body in motion is central to her work. She often engages herself and the public in seeing how the structures that act on us, such as architecture, language, or the camera, can be played with. In her works, we often see bodies escaping the forces that control them, creating a language of their own. In Caesar’s works, structures that surround her become scripts to be performed. An interview becomes a partition for a collective reading. An archival film is transformed into a trajectory on the floor. A work contract, a sign post that can be pointed at multiple directions. A surveillance system, a track for running. The sunset, a time to sit still. This exercise of creating choreographic scores with the world around her, allows Caesar to amplify moments of liberation. From structures that would otherwise be overpowering, Sofia finds dance and noise. She has participated in exhibitions such as 6th Moscow Biennial (RUS); Delirium & Destiny, A Tale of a Tub Rotterdam (NL); Transperformance 2, Oi Futuro (RJ, BR); EDP Award, Instituto Tomie Othake (Sao Paulo, BR), among others. She won the Rumos Itaú Cultural 2018 prize and her work "Worker leaves the factory (conditions for the work)" is part of the permanent collection of Parco d'Arte Vivente, Torino (IT). http://sofiacaesar.net   Loraine Furter (Lausanne – CH, 1988) works in the artistic and cultural field. Her practice is situated at the crossroads of art, design and editing/curating. She lives in Brussels, Belgium since 2007. Her graphic design education allowed her to experiment with different forms of critical design, as well as other surrounding practices, such as editing and curating. She is now specialised in editorial and publishing practices. http://lorainefurter.net   Laurie Charles (b. 1987, Belgium, works and lives in Brussels) graduated from the School of Fine Arts in Bordeaux, France. She makes videos in which she invites her friends to play: there she mixes folklores, humanities and histories (and narratives of history). She writes and paints speculative narratives – fictions and on canvases. Besides other venues, her work has been exhibited at CIAP Kunstverein (BE), 1646 (NL), Nanjing International Art Festival (CN), Beursschouwburg (BE), Komplot (BE), and Le Commissariat (FR). www.lauriecharles.net   Open Source Publishing OSP comprises a group of individuals from different background and practices: typography, graphic design, cartography, programming, mathematics, writing, performance. Through a collaborative practice, they work on workshops, commissioned or self-commissioned projects, searching to redefine their playground, digging for a more intimate relation with the tools. http://osp.kitchen/   — Caveat team: Ronny Heiremans (artist), Julie Van Elslande (jurist), Florence Cheval (curator), in collaboration with O pen Source Publishing, with: Eva Barto, Sofia Caesar, Loraine Furter & Laurie Charles, Ben Kinmont, franck leibovici, Eric Schrijver & OSP, funded by Innoviris, Brussels Institute for Research and Innovation
    Lieu
    Beursschouwburg
    Rue Auguste Orts, 20 28
    1000 Bruxelles
    Tél : 02-550.03.50
    info@beursschouwburg.be
    http://www.beursschouwburg.be

  • Meltse Van Coillie elephantfish

    30.10.2018  >  02.11.2018

    • Cinéma

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    We find ourselves aboard of a cargo ship, drifting in an endless sea. This vast emptiness in time and space is something the sailors cope with in their own ways. Imagination rises from beneath the surface and gradually takes the helm… elephantfish lures its viewers into an enclosed environment, guarded by the freedom of the everlasting horizon. The only escape from this confinement comes in thoughts and dreams.   — a film by Meltse Van Coillie, cinematography: Harm Dens, visual effects: Hannes Sap, sound mix: Michel Coquette, partner: KASK, School of Arts Ghent
    Lieu
    Beursschouwburg
    Rue Auguste Orts, 20 28
    1000 Bruxelles
    Tél : 02-550.03.50
    info@beursschouwburg.be
    http://www.beursschouwburg.be

  • Haçivat & Karagöz, les réfugiés d’Anvers

    30.10.2018  >  01.12.2018

    • Théâtre
    Hacivat et Karagöz, ce sont deux meilleurs amis qui s’amusent à escroquer les clients naïfs dans les marchés de Bursa et Istanbul. Le jour où ils se font attraper, ils décident de fuir la justice et se retrouvent un peu par hasard à Anvers ! Suivez leur aventure pleine de péripéties dans la quête de la liberté…

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    Hacivat et Karagöz, les réfugiés d’Anvers est une pièce de théâtre librement inspirée des personnages du théâtre de l’ombre ottoman, inscrit au patrimoine culturel immatériel de l’Unesco. Un authentique univers de conte oriental qui interroge innocemment histoire et politique sur les questions centrales de l’identité et la diversité. En partenariat avec l'Institut Culturel Yunus Emre et le Musée Juif de Belgique. Avec le soutien de la Fédération Wallonie-Bruxelles dans le cadre de la Promotion de la Citoyenneté et de l'Interculturalité
    Lieu
    Musée Juif de Belgique
    Rue des Minimes, 21
    1000 Bruxelles
    Tél : + 32 (0)2 512 19 63
    info@mjb-jmb.org
    http://www.mjb-jmb.org

  • La Loi de la frontière

    31.10.2018  >  30.11.2018

    • Cinéma
    Un berger accepte de faire passer la frontière en fraude à un troupeau afin de payer les soins requis par son fils malade…

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    Un berger accepte de faire passer la frontière en fraude à un troupeau afin de payer les soins requis par son fils malade… Un tournant essentiel vers le réalisme dans le cinéma turc, jusque là essentiellement préoccupé de divertissement. Acteur central et coscénariste, Yilmaz Guney sortit transformé de l’expérience et entama la même année sa prestigieuse carrière de metteur en scène en s’inspirant de la leçon d’Akad. Un des grands drames ruraux de son temps, appelé à une descendance considérable dans son pays. Flagey, Cinematek   € 7 > 5,5
    Lieu
    Flagey
    Place Sainte-Croix
    1050 Ixelles
    Tél : 02-641.10.20
    Réservation : 02-641.10.20
    info@flagey.be
    http://www.flagey.be

  • Niveau 5

    31.10.2018  >  16.11.2018

    • Théâtre
    Niveau 5 est une comédie désamorçante et moderne qui fait écho à l’atmosphère de peur dont nous sommes victimes.

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    Deux couples prennent l’apéritif dans un appartement du centre-ville bruxellois pour décider de leur prochaine destination de vacances. Suite à une alerte terroriste, les voilà coincés pour la soirée et désireux de sauver les apparences malgré leurs craintes. Frédéric Kowaski, quinquagénaire respectable, a invité son meilleur ami Louis Degarde avec sa compagne afin qu’ils choisissent ensemble leur prochaine destination de vacances. Mais ce n’est pas du goût de Maud, la femme de Frédéric : débordée par son travail d’avocate, elle s’efforce d’écourter la soirée. Jusqu’à ce que tous soient avertis qu’une alerte de niveau 5 est déclenchée dans leur voisinage, à Bruxelles. Un terroriste s’est échappé, la ville est en panique et le quartier est bouclé. Les personnages arriveront-ils à garder leur calme ? Quelle sera leur attitude face à cet état de fait ? Niveau 5 est une comédie désamorçante et moderne qui fait écho à l’atmosphère de peur dont nous sommes victimes. Stéphanie, Joël, Philippe, Alexis, François et Elsa collaborent depuis longtemps dans le cadre de « Sois Belge et tais-toi ». Le plaisir qu’ils partagent et les envies professionnelles qui les animent (incarner un personnage de bout en bout pour certains, encore faire rire pour d’autres, monter une comédie de boulevard, écrire une pièce sur mesure) leur ont permis de créer « Niveau 5 », une comédie terroriste qui vous fera péter de rire !
    Lieu
    Théâtre Saint-Michel
    Rue Père Eudore Devroye, 2
    1040 Etterbeek
    Tél : 02-737.04.40
    Réservation : 02-737.04.40
    ticketing@theatresaintmichel.be
    http://www.theatresaintmichel.be

  • 2TK7

    31.10.2018  >  03.11.2018

    • Théâtre
    Un improvisateur, une improvisatrice, des vieilles K7

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    Un lecteur de cassettes Un improvisateur Une improvisatrice Choisir une k7 Appuyer sur Play Improviser
    Lieu
    Théâtre L'improviste
    rue de Fierlant, 120
    1190 Forest
    http://www.improviste.be/